*THIS REVIEW CONTAINS MILD SPOILERS FOR WAITING FOR GODOT*
Director Rosalie Grant and Evening Star Productions bring theatre of the absurd to Sol Theatre with Samuel Beckett’s remarkable work, Waiting for Godot.
The set was sparse and a beautiful sort of bleak, much mirroring the play itself. The play has only five characters, two of whom perform the titular task of waiting for Godot.
Vladimir, played by Lito Becerra, and Estragon, played by Seth Trucks meet at an undisclosed location near a tree to wait. While they wait, their long relationship unfolds for the audience. Their clothes are tattered and Estragon’s feet suffer from his shoddy boots. Vladimir has health problems tied to his kidneys. Both actors do a tremendous job of selling their maladies. In fact, the physicality of the actors is what sets this play apart from the many performances of it which have come before. The masterful feats of athleticism between them inject comedy into the grim dialogue. The chemistry between Becerra and Trucks is beautiful; Becerra is endearing in Vladimir’s nurturing of his friend and Trucks brings a pathos to Estragon’s dark moods. Their timing as they bounce lines off of each other is impeccable.
The strange duo who come to break up the monotony for Vladimir and Estragon are a mismatched pair.
Skye Whitcomb is delightfully despicable as Pozzo, whose fine attire sets him apart from the others. In his company is his slave, Lucky, played by Christopher Mitchell. Again, the nuances of the physical acting of this pair turns what could be a dry play into an engaging performance. Grant must be lauded for her directorial choice and Mitchell must be commended for his endurance.
While some of the bizarre dialogue penned by Beckett is humorous, this cast adds to the humor with their actions and reactions. It is also necessary to mention the way the four of these men portray so much with silence. Some of the most humorous or poignant moments are accomplished with the absence of speech or action. The very stillness evokes the audience reaction.
This production is an excellent take on a complex text.
Waiting For Godot runs at Sol Theatre from April 20, 2017 – May 7, 2017.
Tickets are $30 / $20 for students and seniors and are available for the following remaining performances:
Thursday, May 4 @ 8pm
Friday, May 5 @ 8pm
Saturday, May 6 @ 8pm
Sunday, May 7 @ 2pm
All performances are at Sol Theatre, 3333 N. Federal Hwy, Boca Raton, FL 33431
Sol Theatre is a 501(c)(3) corporation that relies on generous donors to continue to carry out its mission of bringing affordable, quality theatre to South Florida and to making theatre accessible and exciting to young people and youth actors.
Photo by Murphy Hayes
Monday, May 1, 2017
Sunday, January 8, 2017
Shakespeare Miami’s The Merchant of Venice, directed by Colleen Stovall and staged as the 2017 free Shakespeare in the Park production, opened on January 6, 2017, in Mizner Park.
The set is rather simple: twin stairs leading to a balcony, but it is all that is necessary to carry the audience to Venice. The more important element of the staging comes in the beautiful costumes, elaborate and artfully designed by Stovall. The “tiring scene” where Portia (Thiana Berrick) is dressed by her maids is a fantastic tool to educate on the intricacies of women’s fashion and the challenges faced by dressing in that time. Nerissa’s (Alexandra Grunberg) dress is lovely, and the way she navigates the stairs in it is both delicate and fierce.
The suitors for Portia’s hand are all finely arrayed, and the costumes for Shylock (Seth Trucks) and Tubal (Christopher Lam) are vibrant and adhere to the custom of Jews being required to wear red to identify themselves at all times.
Although this play is one of Shakespeare’s comedies, the atmosphere of this production is more serious than comedic. As it addresses the very heavy subject matter of prejudice, race relations, and religious persecution, this production seems to downplay all but the most comedic of elements. David Tetteh-Quarshie is remarkable as the Moroccan prince who vies for Portia’s hand. He and Jair Bula as Aragon, the second suitor, provide two of the true comedic performances. The other two are the Gobbos: Launcelot Gobbo (Christian Cooper) and his father Old Gobbo (Seth Trucks), whose farcical performances elicited laughs as well.
The cross-dressing device, which at one time must have been a source of great amusement, is less humorous in our time as women commonly dress “as men” – in trousers instead of dresses. Kudos to this production for not camping it up with false facial hair and the like when Portia, Nerissa, and Jessica (Devin Tupler) all pose as men in order to get away with something.
Due to the timing within the play, the first half seems a bit long, but the second half speeds through following the brief intermission.
The trial is well-staged, a clear division between loyalties. You love to hate Gratiano (Arturo Sierra) at his treatment of Shylock after the Jew gets his “justice.”
The character of Shylock is well portrayed though this staging – Shylock is not a good person, but that has nothing to do with his faith. The treatment he is dealt from the opening scene to the closing gives fair explanation of why a person could become like him. And when Trucks deals Shylock’s famous speech – “Hath not a Jew eyes?...” sympathy grows for Shylock such that you are disappointed by the “justice” he receives.
Shakespeare Miami wraps up in Mizner tonight at 6:00 then takes the show on the road for the next three weekends:
COCONUT GROVE - The Barnacle Historic State Park JANUARY 13, 14, 15- 2017
PINECREST - Pinecrest Gardens Shakespeare Stage JANUARY 20, 21 & 22- 2017
HOLLYWOOD - The ArtsPark Amphitheater JANUARY 27 & 28- 2017
Come out, enjoy a night of culture with your entire family (but leave the pets at home, please!), and don’t forget to tip your actors. Shakespeare Miami operates off of the donations of its patrons.
From the website: Shakespeare Miami is a regional non-profit theater company dedicated to live performance of the works of William Shakespeare. The mission of Shakespeare Miami is to promote literacy, culture and a passion for the arts through free performances of the works of William Shakespeare.
The Cost of a family attending a cultural event together has become prohibitively expensive for the average family in America. Schools have cut arts programming and field trips to see live performances. Often, the first live theatrical production a family in South Florida attends is a free Shakespeare in the Park Event.